Philosophy in Stan Brakhage's Dog Star Man: World, Metaphor, Interpretation
Alberto BaraccoThis book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ricœurian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s Dog Star Man was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.
Rok:
2019
Wydanie:
1st ed.
Wydawnictwo:
Springer International Publishing;Palgrave Pivot
Język:
english
ISBN 10:
3030124266
ISBN 13:
9783030124267
Plik:
PDF, 4.46 MB
IPFS:
,
english, 2019
Pobranie tej książki jest niedostępne z powodu skargi złożonej przez właściciela praw autorskich